Do you think this might be called his film a movie environmentalist or ecologist?
- I must say that in every movie I've done so far, there is always something to do with my concern, my fear and now. If you have concerns of family type, then maybe the film has to do with your family or the loss of the family. In this case, I was genuinely concerned for the future, and fear for the future that I see in my work.
What fears are behind this type of movie? -
For this film, I rely a bit 'There were also fears that in the 50s and 60s, fears about what would happen to the world as a third world war, civil rights, the witch-hunt, and then we got movies like "Invasion of the Body Snatchers" or "Night of the Living Dead. " All these films were based on a fear of the time compared to what would have happened in the world. Currently we are in a phase where there is this new fear of what might happen in the world, and I quote movies like "I Am Legend," "Cloverfield," It still suffers again this anxiety for the future.
can cite many science fiction movies or model apocalyptic. Which has inspired?
I mentioned before, "Invasion of the Body Snatchers." It 's a movie that made me afraid not so much because of Alieni.I moments that impressed me the most are scared and also, for example, that the scene in which the child says, "seems to my mother this, but it is "a scary moment, when we realize that people who think we know well and love suddenly start to behave the opposite of what we expect. This is something that led me to give quest'impronta of "survival of the film" to my movie. How to survive when things change so much in my life. Another detail: the finished film, I had a choice between a dozen sequences for the opening titles and end credits, there were scenes of DNA, science fiction, I have chosen the sequence of clouds and was my figlidi 8 years to realize as we watched "Invasion of the Body Snatchers" that there is also the scene of the clouds.
There is a recurring theme in his films, the loss of faith and the recapture by an extraordinary event ... -
All the main characters of my films I am. If I play a character in the movie is not me. In this case, the character played by Mark Wahlberg I am. I guess so beautiful. The character in itself, somehow, a faith to recover. Faith in God, in love, in humans, in the future. In this case, the character played by Mark Wahlberg strongly believes in women who chose and believe even more that this woman again become what he knows that deep she is and always has been. His best friend does not believe so, she lives a great question to itself, does not believe to be quwello that her husband thinks she is, a kind of blind faith. I believe that behind every movie, especially if they can even deal with my ghosts or aliens, there is always something spiritual, even if at first did not talk about it. This is something that makes you very strong audience reactions to my films, even when they do not like, even if you hated the film, creates deep emotional reactions. Like it or not. Actors such as Walherg that attract me are men of faith and bring this personal belief in the character.
Why a rebellion of nature, plants - as in "The Thing from Another World"? -
Many of the things you see in the film I was reading or listening to in newspapers and on television, the disappearance of the bees in the United States has had a lot of echo, also in the film makes reference to the ancient bacteria found in the waters Australia is a real news, last week I read of neurotoxins found in the vegetation in a lake in Thailand, with the coastline contaminated. Also in Thailand, it was alleged that the frogs are disappearing. This sense of imbalance that give us the earthquakes and natural phenomena make us feel as if we were visitors to this land, the total interconnection between us all there together gives us a perspective, a necessarily different approach: we are not we see everything, but we are part of the rest. I do not cultivate plants, however, live in the country and everything is green hills and trees.
In his previous film was made mention of a man of destiny, who would read a book ... some reference to Obama?
The strange thing is that in the original script of 'Lady in the Water "for a long time there has been a clear description of this character, when Storydescrive an African American man. I removed it when they did the first test screening audience of more than plucking the racial discourse, but the film was a way to tell how the stories we tell our stories have impact on others, can change the lives of others without want it. That was why I wanted to remove that part where you explain who this man was leaving the juice.
Some pictures sounds eerily familiar, somewhere. Sources that had inspired graphics? Paintings, drawings, comics?
This film, made to fear, everything takes place in daylight. Borrowing heavily from old movies on a visual level, the era of Hitchcock, it makes me feel at ease but also Japanese minimalist aesthetics, from Kurosawa, and even scenes that he filmed by Kubrick, I had to restrain from making shots too much of Kubrick, with the goal wide with certain positions of the characters, certain movements. Both me and the actor decided to detach from that aesthetic. It 's always the way in which one raises his camera, the shot that is, you forward this note "musical" attrevarso the image. By the same shot in which we take a crowd, put the crowd at the center of the frame creates a kind of balance that is almost unnatural and therefore imperfect, a kind of uncomfortable, as if something was to happen, the person feels relieved when in which the director moves the frame of the mass of people to the right or left. And if the shot goes slightly downwards, this change of view becomes something that intimidates the viewer. If it is on the same level of parity, gives an idea of \u200b\u200bconversation, dialogue continued, and then just slightly raise the frame a few inches, the viewer needs to redefine who is a crowd or a group of animals, there is a need to take off from that situation once the definition has been given. For example, I could ask my director of photography to raise slightly the shot when the actor was not at home and needed to redefine anything.
What makes cameo in this film?
In this film, I have a very important role. No they're really just the voice of his Jeoy to phone. What you see on the DVD.
In this catastrophic tragedy as citizens are left to themselves, we never see the state:
When I thought in my mind about how to set up what I have heard that in 36 hours in which the story develops with a progressive growing isolation of the characters, not allowed and did not provide such a massive intervention by the Was it because when it was created and humans became increasingly emaciated state intervention was unnecessary because we find ourselves without parents. Like a child who is alone. The fear of being isolated and alone with no one can take care of yourself you can protect Eche. And then there's another aspect to consider: today is a common experience of those who have suffered loss and tragedy come to know of any accidents, loss, family tragedies, friends, correspondents, CNN even before the authorities are able to identify and meet the relatives of a victim. So there is this absence of the state at the forefront.
Tell us something about the classic American fear of his neighbor, another major terror of the survivors in the film
That the neighbors think it is an exclusively American paranoia. The courtyard behind my house today is all fenced up, and when I was young my mother told me simply "come back for dinner to half past six." My wife is very intelligent, yet I can not convince her in any way that I was a kid I to the present statistics about the abduction of children playing in the yard have not changed, there was this terrible increase in kidnappings or harm done to children. It does not quite convicnerla. Where we live the last serious event happened in 1984 when a man was murdered, after this I do not think there was even a car theft in the past 25 years. Hithcock wanted to make this movie about this girl who was believed to be followed by someone on the street, the bus then imagine that someone is still following then descends, still followed sisente, hides, hears footsteps, then finally arrives the door opens the door and with a band of devils and demonic beings who drink and camp out at his house. The paranoia of this girl took her to live the nightmare. And this is a bit 'in the sense that I wanted to walk in the country scene.
by Gianluigi Perrone
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